The false nails are among those artificial finickings of the everyday life that tend to hamper the women wearing them and that the most of men deplore.
Those are rather tools of competition than of seduction.
Would it be a modern interpretation of the primitive instincts of defensing the one’s territory? Or a protective facade?
This wearable system appropriates the false nail as a new material bearing sense. It emphasizes the unconscious body language of the one who
Halfway between an adornment and a chainmail, Orme reveals the emotional morphology of the woman by her movement. The wiggling of the false nails exteriorizes and amplifies her physical reflexes.
However, it can also become a malicious tool of signage if these movements are intentional.